ArtDesignCulture

Posts Tagged ‘Florida’

Brian Posehn hates his only tattoo

In Journalism, Other on April 12, 2011 at 1:55 pm

Brian Posehn lost his tattoo virginity at the tender age of 41.

We talked about popping his ink cherry and other things for this piece in the Alligator. (He’s coming to Gainesville April 13!)

But he said some funny things that I wasn’t able to squeeze into the story, so here is the interview Q & A.

Brian Posehn

Brian Posehn (Photo courtesy of Generate)

Talk about the title for your latest album, Fart & Weiner Jokes.
Brian Posehn: You know it was sort of a joke. But I do indeed have a lot of fart and weiner jokes. It was also kind of me making fun of myself, “Lower your expectations, it’s time for the  fart and weenier jokes.” I like to think I do more. It’s just a little self-deprecating jab at myself.

The fact that I’m on a heavy metal label [Relapse Records], I wanted the cover to reflect and have it look like an old-time label album but then with this big goofy joke.

And then having it on radio and making the deejays say Fart and Weiner jokes was a lot of fun for me.

What’s the difference between playing a comedy club and a rock venue?
BP: Nobody goes to a rock club to see comedy by mistake. Even though I’m pretty established, when I play comedy clubs, I still have people who don’t know what they’re in for.

Sometimes I’ll be in Dallas, and there will a 60-year-old conservative lady with her arms crossed saying to her husband, “Is this guy going to talk about fart jokes and his penis the whole time?”

Rock venues are more suited for younger fans. People who don’t want to have to pay a lot. It’s a cheaper night out.

Do you think your jokes are universal or pretty specialized to an audience?
BP: Definitely not [specialized to one audience]. But those people are going to like it on another level. I purposely don’t just dwell on heavy metal. There’s the Slayer joke.

But I feel like I hold people’s hands. Because I don’t want to lose anybody. But on the other hand, you will appreciate it another layer if you do like metal. I think I walk people totally through it.

Can you describe to me a fan who you have seen or met who you never in a million years would have thought would be a fan of yours?

BP: There are people that hit that age range [60s] and love the dirty stuff. Every once in a a while, I’ll look out and see an older woman when I look out there. And then I watch her a couple minutes later, and she is laughing harder than anyone out there.

And the strange thing is the multi-generation thing. Somebody your age [20s] comes out and their parents like it too. I’m like, “I hope that was comfortable listening to that together.”

Do you play metal on a regular basis?

BP: I was right before you called me. Pretty much every day. I listen to other stuff. I’m not just a metal guy. But I’ve always just been obsessed with music. I listen to it morning and night and always in my car.

Occasionally I deviate form the metal. All the stuff I grew up on I like. Rap. Rock. But I’m more of a metal head than anything.

I’ve never played an instrument. I tried and it just didn’t happen.

But I’ve loved [music] since grammar school. Kiss at 9 years old and then AC/DC and Van Halen and then just went heavier and heavier.

My last day job was working at a record store. I wanted to be a metal journalist and then dropped out of journalism. But I have had a lot of writing jobs.

What’s your favorite part about playing a college town?

BP: The kids. I mean, I feel like I do better in those places. There are smart kids, and even though I’m 20 years older than them, I feel like I still have the same interests. Anybody who likes to have a beer and play video games I have a lot in common with.

What do you do about people who are “more metal than you”?

BP: That’s where the song came from. It was me commenting on a thing that I’ve noticed since I was young. Being into Metallica before anyone who was into Metallica and there was a friend of mine in my neighborhood. And you’re already calling me a sellout?

I feel like I sit in the dark [because there are comparatively few huge metal fans] and with some guys you have this instant bond and then some guys just try to test you. Anyone who has spent half of their life listening to metal.

The funny thing is people will listen to that song and not get it. They’ll say, “That song is not even metal.” I’m just like, “Oh god, you don’t even get it.”

You been compared to Snuffalupagus. How accurate do you feel that is?

BP: I love that. That’s the thing I talk about in my act. Maybe not on this record. I have, you know, compared myself to a Muppet. I do the voice. I know when I do the angry voice it sounds like a lot of Jim Henson voices.

When I was younger I kind of compared myself to Eeyore.

My wife would laugh if she heard you say that I am like Snuffalupagus. That is a big part of my persona where it’s just you know lovable and kind of beaten down.

Do you have any tattoos?

BP: A horrible one. I waited till I was 41 to get my first tattoo, I think. It was total peer pressure and being completely hammered with a bunch of my friends. We all got the same thing and now I have this horrible thing on my middle finger. I wear a ring because I hate it so much.

I went home to wife and said, “Honey, I did something stupid?” And she’s all, “Did you sleep with a stripper?” “No, I got a tattoo.” “Oh, good.”

It’s 666, the sign of the devil. It’s so stupid! It’s sort of a reference to the kid in The Omen and Iron Maiden. I hang with out a bunch of idiots so it was someone else’s idea. They are all covered in tattoos so it didn’t matter to them. But I had my virgin skin.

I drive by a laser removal place every day and think about getting it removed.

You passed, Chuck Klosterman!

In Other on April 7, 2011 at 1:09 am

Chuck Klosterman passed the beer test.

The beer test was invented (to my knowledge) by Professor Mike Foley who uses it most often as a yardstick to judge whether or not a profile is adequate. The test is: “Based on what you have read, would you know whether or not you want to have a beer with this person?”

If you did a skillful and professional job of conveying that someone is, for instance,  an eloquent public official and porn-hater, a person sharing his views should want to have a beer with him and a person who does not share his views would not.

At the same time, the subject of the profile should not be offended when he reads it but should find it rings true, at least to some degree.

ANYWAY, I digress. The point is, I wanted to have a beer with Chuck Klosterman after I read his books, and now that I have heard him speak, I really want to have a beer with him.

To be honest, I wasn’t sure that Klosterman was going to pass the beer test. I had seen videos of him during interviews, and he seemed bored and boring. Also, in his books, he talks about being resistive to interviewers, as he is a professional interviewer himself, knows what they are after and is not really into being on the other end of the deal. What I came to realize was that Klosterman sort of absorbs the mood or tone of his interviewer.

This, however, was not an interview. It was a talk. To a bunch of college kids. I thought I would see more j-students. But it was really just the bar crowd from the Toplantic. We can never really get away from each other short of moving (t-minus 24 days).

BUT that meant that he had free reign to do or say as he pleased. Chuck dissuaded all my worries and put on a bully show.

My notes are as follows:

Bad-Acid (He talks about bad acid, which he has never himself had. The cool thing about him saying “bad acid” out loud is that it sounds like “badass-ed.” So it sounds like, “That’s some badass-ed shit.” I’m not sure if this is funny anymore. Now it just seems like an inside joke with myself.)

1) technology fluency

2) humor

3) networking

(Chuck’s tips to me for surviving post-grad.)

Ha, Care Bears! 1:08:08

1/2 sports questions

1/2 journo questions

2 snobby literary reference “questions”

and hipsters murmuring snark for the entire hour and half

The last words he spoke to us were:

“It’t not the quality! It’s the size!”

UF grad’s piano bar offers musical variety

In Journalism on February 10, 2011 at 11:16 pm

Take a step into Rockeys Dueling Piano Bar downtown and enter the world of Billy Joel. And T-Pain. And Garth Brooks.

Brad Heron shares a toast with the crowd at Rockeys Dueling Piano Bar in downtown Gainesville. (Photo by Britt Perkins)

Rockeys, 112 S. Main St., opened New Year’s Eve but is already one of the few bars downtown that can pack in a crowd by 10 p.m. And, unlike other spots in town, variety is not lacking here.

Last Friday, the crowd la, la, la’d along to “Crocodile Rock” and didn’t miss a beat during the transition to “Low (Apple Bottom Jeans).”

Two pianos back-to-back and a drum kit fill the raised stage where crowd requests alone determine the set list Thursday through Saturday. Local live music reigns on Tuesdays and Wednesdays.

A $6 bid can get your request bumped to the front of the line, but an opposing $7 wager can make sure the first chords of “Party in the U.S.A.” are also the last.

It’s all about interaction at Rockeys. The players banter with one another and are not shy about talking directly to the crowd. And sometimes, they do more than just talk. While on stage, each player has a hand-held spotlight, ready to select volunteers for games and serenades. Recently, Rockeys hosted an impromptu “booty-shaking” contest with participants ages 21 to 61.

Brad Heron, owner and house piano player, said the “ageless” factor where everyone checks their egos at the door is one reason people can have a good time at Rockeys.

After graduating from UF in 2004, Heron toured the U.S. playing professionally, building his repertoire. But Heron, a self-proclaimed diehard Gators fan, said each college town reminded him of his alma mater.

“I missed Gainesville,” he said. “And I had such a good time here, and I was having such a good time in other college towns, I thought, ‘Man, I’d really like to do Gainesville.’”

Heron partnered with Scott Schmailzl, owner of Blue Moon Dueling Piano Bar in West Des Moines, Iowa, and longtime friend from the piano circuit.

Tim Buie of Savannah, Ga., also joined Heron in Gainesville as a house player.

Although there are regular appearances, the lineup doesn’t always stay the same.

Every week, a guest player from another town joins the regulars on stage with a different background and different skills, which helps keep things interesting and fresh, Heron said.

After going through “a million” names, Heron said they settled on the combination of the words “rock” and “keys” to brand the new piano bar downtown, but that’s often how people still refer to it.

However, naming was not the biggest challenge people said they would face. The 21-plus, non-smoking requirements, on the other hand, were. But instead of being a problem, Heron said those two factors are what he gets complimented on most, besides the friendliness of the staff.

And as for Heron’s favorite song to play?

“I probably wouldn’t sit in a room by myself and say, ‘Oh, I feel like playing some Lady Gaga right now.’ But in front of a crowd of people that want to hear it, I mean, there’s nothing more fun than Lady Gaga.”

Story in the Independent Florida Alligator on Thursday, Feb 10.